Bach Bibliography
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Series : ^ColMSymposium$
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TypeListAuthor Title [further info]SeriesVolNoYearPagesStatus
[]
1. Mendel, ArthurDocumentary evidence concerning the aria 'Ich folge dir gleichfalls' from Bach's St. John Passion'. ColMSymposium 5 Fall 1965 63-67
2. Grout, Donald J.Historical approach. No.13 'Ich folge dir gleichfalls' from Bach Passion according to St. John. ColMSymposium 5 Fall 1965 68-76
3. Cone, E. T.On the structure of Ich folge dir. ColMSymposium 5 Fall 1965 77-87
4. Lippman, Edward A.An interpretation of Bach's 'Ich folge dir gleichfalls'. ColMSymposium 5 Fall 1965 88-96
5. Scharf, Warren A.Baldwin-Wallace College. ColMSymposium 9 Fall 1969 21-22
6. Cahn, Meyer E.Bach is not enough. ColMSymposium 12 Fall 1972 47-53
7. Godt, IrvingC. P. E. Bach his mark. ColMSymposium 19 2 Fall 1979 154-161
8. Brown, A. PeterApproaching musical Classicism: understanding styles and style change in eighteenth-century instrumental music. ColMSymposium 20 1 Spring 1980 7-48
9. Brown, Leslie EllenOratorical Thought and the Tragédie lyrique: A Consideration of Musical-Rhetorical Figures. ColMSymposium 20 2 Fall 1980 99-116
10. Seaton, DouglassA Composition Course with Karl Friedrich Zelter. ColMSymposium 21 2 Fall 1981 126-138
11. Eiseman, DavidA structural model for the 'Eroica' finale? ColMSymposium 22 2 Fall 1982 138-147
12. Jordan, PaulHelmut Walcha: Artist-Teacher. ColMSymposium 22 2 Fall 1982 148-154
13. Harrow, PeterBach the humorist. ColMSymposium 25 1985 48-51
14. Dahlhaus, CarlThe Eighteenth Century as a Music-Historical Epoch. ColMSymposium 26 1986 1-6
15. Marshall, Robert L.The Eighteenth Century as a Music-Historical Epoch: A Different Argument for the Proposition. ColMSymposium 27 1987 198-205
16. Nayberg, AlexanderOde to the Fugue. ColMSymposium 29 1989 161-163
17. Rogers, M. R.The Rich Messiness of Music. Teaching Theory in Music With Contradictions and Paradox. ColMSymposium 30 1 Spring 1990 134-141
18. Loewy, Andrea KapellFrederick the Great: Flutist and composer. ColMSymposium 30 2 Fall 1990 117-125
19. Harrow, PeterNew Solutions to Canon 10 of J. S. Bach's Fourteen Canons BWV 1087. ColMSymposium 30 2 Fall 1990 90-99
20. Crist, Stephen A.Beyond 'Bach-Centrism': Historiographic Perspectives on Johann Sebastian Bach and Seventeenth-Century Music. ColMSymposium 33-34 1993-94 56-69
21. Lester, JoelJ. S. Bach teaches us how to compose: four pattern Preludes of the Well-Tempered Clavier. ColMSymposium 38 1998 33-46
22. Collins, Denis'So you want to write a canon?' An historically-informed new approach for the modern theory class. ColMSymposium 48 2008 108-123
23. Bates, IanReading, interpreting, translating: Three transcriptions of a Bach chorale. ColMSymposium 56 2016

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